that most literary works have a simple outline: the story, the plot, and the storyteller. By studying more closely, most novels and short stories are placed into the categories of first-person and third-person narratives, which are based on who is telling the story and from what perspective. Other important terms that relate to the term narrative , are narrative poetry and narrative technique . - one who tells a story, the speaker or the voice of an oral or written work. Although it can be, the narrator is not usually the same person as the author. The narrator is one of three types of characters in a given work: 1) participant (protagonist or participant in any action that may take place in the story), 2) observer (someone who is indirectly involved in the action of a story), or 3) non participant (one who is not at all involved in any action of the story). - an extended prose fiction narrative of 50,000 words or more, broadly realistic - concerning the everyday events of ordinary people - and concerned with character. A fictional prose work of substantial length. People in significant action is one way of describing it. Another definition might be an extended, fictional prose narrative about realistic characters and events . It is a representation of life, experience, and learning. Action, discovery, and description are important elements, but the most important tends to be one or more characters - how they grow, learn, find - or don t grow, learn, or find. - a prose fiction longer than a short story but shorter than a novel. There is no standard definition of length, but since rules of thumb are sometimes handy, we might say that the short story ends at about 20.000 words.of manners - a novel focusing on and describing in detail the social customs and habits of a particular social group. Usually these conventions function as shaping or even stifling controls over the behavior of the characters. - A poem in praise of something divine or expressing some noble idea. - The narrator, or the storyteller, of a literary work created by the author. - The structure of a story. Or the sequence in which the author arranges events in a story. The structure of a five-act play often includes the rising action, the climax, the falling action, and the resolution. The plot may have a protagonist who is opposed by antagonist, creating what is called, conflict. A plot may include flashback or it may include a subplot which is a mirror image of the main plot. - Is a general term for a work of dramatic literature. - Is a writer who makes plays. - The opening speech or dialogue of a play , especially a classic Greek play, that usually gives the exposition necessary to follow the subsequent action. Today the term also refers to the introduction to any literary work. - A protagonist is considered to be the main character or lead figure in a novel, play, story, or poem. It may also be referred to as the «hero» of a work. Over a period of time the meaning of the term protagonist has changed. The word protagonist originated in ancient Greek drama and referred to the leader of a chorus. Soon the definition was changed to represent the first actor onstage. In some literature today it may be difficult to decide who is playing the role of the protagonist. - A false name or alias used by a writer desiring not to use his or her real name. Sometimes called a nom de plume or «pen ​​name», pseudonyms have been popular for several reasons 1) political realities might make it dangerous for the real author to admit to a work. Beatings, imprisonment, and even execution are not unheard of for authors of unpopular works, 2) an author might have a certain type of work associated with a certain name, so that different names are used for different kinds of work. One pen name might be used for westerns, while another name would be used for science fiction, 3) an author might choose a literary name that sounds more impressive or that will gamer more respect than the author's real name.criticism - an approach to literature that draws upon psychoanalytic theories, especially those of S.Freud or J.Lacan to understand more fully the text, the writer, and the reader. The basis of this approach is the idea of ​​the existence of a human unconscious - those impulses, desires, and feelings about which a person is unaware but which influence emotions and behavior. Critics use psychological approaches to explore the motivations of characters and the symbolic...
