and respect for motherhood . Hospitality and peaceful co-existence of people as universalias of culture (according to Theodore Oyzerman) can be led under a wider CUB-base, namely - under an aggressive code in its tabooed manifestation. p> At the same time the universalias " boldness and courage " as well as "war" give us the cultivated aggressive code. In the certain degree the same code in the same expression is visible in the first part of Oyzerman universalia " self-control in the face of death ". Courage here has obvious indications of force , strength of mind, and it is nothing else but one of conceptual expressions of aggressive code. At the same time, courage is directed against death, that is against denying of life. p> Therefore, in this case on the basis of the given universalia one can notice also an intentially presented immortal category . Similar result in detection of the deep CUB-contents has been received during the analysis of other works on this theme (Bronislav Malinovsky, George Murdock, John Passmor, etc.). br/>
3. Investigation of profound invariant of the structure of a fairy tale as the applied version of search for universalias in texts of culture
The chapter begins with consideration of conceptualization of structurally-formal studying of a fairy tale by Roman Volkov. Thus I regarded the searches for the inner invariant of the structure of a fairy tale as the applied version of revealing universalias in texts of culture. Then the approach to structure of a fairy tale of Vladimir Propp is examined. In the chapter CUB-aspects of the reconstruction of "historical roots of a magic fairy tale "by V. Propp is stated also. br/>
The analysis of the work of Roman Volkov ( Волков Р. М. Казка. Розвідки по сюжетосложению народної казки. - Одеса: Держ. вид-во України, 1924 ) has shown, that he possesses a priority in undertaking of structurally-formal studying of a fairy tale. This is true because it was he who carried out for the first time the classification of a separate type of fairy tales (where the characters are unjustly expelled) and through formalization proved that in each of its versions there is present a constant invariant. p> At the same time, he implicitly used categories of ultimate bases and codes as the language of the description (the formalized elements of fairy tale structure). Categories of ultimate bases and codes made also an inner invariant of fairy tales contents, which underwent formalization. p> For instance, the aggressive world outlook code is at the heart of the type of the selected for the analysis fairy tales about guiltlessly persecuted . Persecution as the hostile aggressive act provides presence of the one who persecutes, and the one who is persecuted. At the same time persecution as the dynamic motive plays the role of the leading moment of development of all narration. In the given type of fairy tales he actualizes the basic formula "Life - death (threat of a life) - immortality (removal of the threat)". p> The main feature of Vladimir Propp approach consisted in recognition as elements of structure of a fairy tale of those semantic units which were formed on the basis of functions of the characters. There can be many characters, but the number of functions is finite. In each fairy tale it is possible to distinguish these identical functions. p> Therefore, externally different fairy tales as a matter of fact, according to V. Propp, are identical. Such point of view has got all attributes of a research paradigm, having set for the long years the general direction of research of not only the fairy tale invariants, but also of other narrative texts. Simultaneously the real fairy tale structure nevertheless was showed to some extent in the language of description of a fairy tale offered by him. p> Later this fact was objectively examined in my work, as a result we discovered that for the conceptual forms of V.Propp 's "language of description" of the fairy tale structure there stand CUB and corresponding codes. p> The same result has been received at the analysis of works on the structure of a fairy tale by the followers of V. Propp within the limits of his paradigmatic functional approach.
The solution by V. Propp of his own research problems was embodied in four postulates:
1) the functions of characters are the constant elements of a fairy tale; 2) a number of the functions of a magic fairy tale is limited, 3) the sequence of functions is always invariable; 4) all magic fairy tales are of the same type according to the structure. It has enabled to draw a conclusion, that morphologically all fairy tales can be originated from one fairy tale on abduction of tsarevnas (Princesses) by the Dragon and their rescue by the hero (Аф 131 ). p...
