ouse together with a cat - mum.Fairy tale composition.Beginning (the fairy tale beginning) thereThe cat lives in the house near to wood (there is no beginning). The cul mination (point of the higher pressure) The wolf couldn't eat kittens, they have hidden.Outcome (action end). Weak (kittens) come out from difficult situations winners. Kittens cope with a trouble. Ideal - hero independently solving the problem (the western way of life). Dialogue, driving action.The cat talks to kittens, a wolf with kittens.Songs which slow down action (retardation), strengthening intensity.There is no song.Magic numbers . Three times the wolf comes to the house of the Big cat (three frequency rate situations). Three kittens.Repetitions.Art means of languageEpithets the Grass silk, water ice cold.the Big cat, the Grey kitten, white kitten, the Black the kitten (logic definitions). National colloquial words and expressions.Figures of speech.Inversion (change of a word order in the offer). Syntactic parallelism.Intensifying designs.Consecutive type of communication of offers in the text (the first and last words in offers repeat). remarks on the comparison made: the work we have compared Kazakh and English national fairy tales on animals and have found out the following:
. In English fairy tales, as well as in any others, there are wise reasoning on good and harm and a lot of philosophical sense, but the accent on the material is swept obviously up. p align="justify">. The Kazakh fairy tale, unlike English, is more universal: she can be told to children of any age, even the smallest as in it isn't present excessive moralization. p align="justify">. The Kazakh variant of a fairy tale is more optimistically, as well as in the majority of other Kazakh fairy tales on animals: the girl manages to run away from bears, and we haven't met gloomy forecasts of its further future with which the English fairy tale comes to an end.
. The Kazakh fairy tale has appeared is more neutral on action time: such history could occur at any time, even today. p align="justify">. A certain innuendo in the description of dwelling and shape of bears in the Kazakh fairy tale promotes development of imagination of listeners, forcing them to finish thinking about every possible details and details.a whole, we have seen that in the Kazakh and English fairy tales it is a lot of general as nations of the world live on one planet, develop under the general laws of history. But fairy tales simultaneously show a national originality of folklore of each people. And animals - heroes of fairy tales - remind both the speech, and behavior of people of that country where there are these fairy tales. Otherwise also can't be, as the fairy tale always was reflection of national life. Thus, we could find acknowledgement of the theory on В«wanderingВ» plots: when one fairy tale travels all over the wo...
