h and local languages. Thus Hong Kong DJ Tommy's compilation, 'Respect for Da Chopstick Hip Hop '- the title itself, of course, a play on global (Respect/Da) and local (Chopstick Hip Hop) elements - features MC Yan from Hong Kong, K-One, MC Ill and Jaguar from Japan, and Meta and Joosuc from Korea, with tracks sung in English, Cantonese, Japanese and Korean. Too Phat's collaborative track, 6 Mcs, on their CD 360 В°, includes tracks from Joe Flizzow and Malique from Malaysia, Weapon X from Australia, Freestyle (US), Vandal (Canada) and Promoe (Sweden). These are some of the circuits of language use, play and invention that are the new l anguage communities, subcultural empires that identify across national and linguistic boundaries, that borrow, shift, mix and remake language in a new state of flow and flux.
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