lisions and the atmosphere of an imperialistic era (R. Kipling, B. Brecht), as well as dialectics of development of socialist society (V. Vysotsky) .present period with changed and in grand style branched mass media continue to live and enjoy love of readers not only literary, but also folk songs. However, their functioning significantly changed: as a rule, they are orally executed very seldom now and from generation to generation are handed down not, and as printing literary texts.
Conclusion
highest and the art influence of a folk song which still did not lose the force is concluded in the primary accuracy of word usage, in primitive simplicity of provisions and situations from which grow insoluble, mostly tragic, the conflicts. In the majority these conflicts carry not casual, but social, social being and public consciousness the caused character. Moreover, tracing the roots back to patrimonial customs and beliefs, the folk song is gold fund of traditional feelings and thoughts of the people.reflected in a folk song not only important points of the social relations of the person and society, but also the most important lines of the most human essence which are found (let and differently and, naturally, taking into account national specifics) during different eras, within various socioeconomic structures.literary ballad, growing from national and keeping a strong continuity with it, it changed constantly and enriched, absorbing in itself new historical experience, not only national, but also international. And still in the literary ballad the interpenetrating unity of elements of lyrics, the epos and drama, the poetic form gravitating to magic musicality, rather small volume remained; in it the element or a raid of mystery, mysteriousness, incompleteness, a reticence, a tragic not resolution or insolvability concluded in a plot, rhythmic and a figurative system, as a rule, takes place. The modern literary ballad continues to remain one of the leading poetic genres in which the poets of various regions of Europe writing in the most different languages ??express the ideas of essence of life, of human life, of contradictions of our era.ancient and unfading, archaic and eternally young, gravitating to a rigid form and infinitely changeable, people rough and artistic distinguished genre of the ballad existing in Europe, at least, already whole millennium actively develops and in the XX century, creatively processing the traditional conflicts, recovering the stiffened forms and proving (again!) unfading beauty of eternal subjects and plots.
At the beginning of the XIX century canons of the poetic diction proclaimed classicists were rejected by romantics. Romantics defended the emotional and esthetic value of speech originality. They sought to enrich poetic diction with new lexicon, scooping it from different sources. For example, V. Scott widely uses dialecticisms, and U. Wordsworth urges to refuse the special poetic dictionary and to use words and forms of a living spoken language in poetry.reject classical division of words into sublime words, suitable for poetry, with wide value and unsuitable low with narrow value. They often prefer to use words with narrow value as they allow creating more concrete associations and that stronger to influence emotions of the reader. Emoting function at romantics comes to the forefront. Poets seek to use various means; each means of expression, each word or a turn are regarded depending on their suitability for expression of this feeling given ideas of the author. Poets seek to pull together poetry with the live speech that allows them to give the thoughts and feelings to the reader better; they oppose conventions of poetic diction, the stiffened images, traditional epithets, sample phraseological units.ballad as lyric-epic and lyric-dramatic genre, gains the development in creativity of romantics. Romantic ballads, as well as national, it is possible to divide into some groups: the ballads which are based on historic facts and events, the ballads developing fantastic subject, and ballads in which the lyrical beginning prevails. In general the lyrical beginning dominates in creativity of romantics therefore lyricism often joins a narration. Poets romantics addressed to ancient legends as to sources therefore and in a folk song, and in romantic it is possible to find their communication with legends and legends.of an era of Romanticism develop in the creativity many traditions point. Generally romantic ballads, as well as national, conflicts are also under construction round one, often tragic event. In some ballads act notification on behalf of the author as expositions, the ballads showing the reader the ropes of events, but most often have the sharp beginning which isn t offering to the reader any explanations. Very often the ambiguity and incomprehensi...
