g part of the text in all sides of view we will call the information of present text. This only definition can be used for understanding the literary communication theory.poetic text information is divided into two different parts: semantic and esthetic. Semantic information is also divided into two parts: factual and conceptual ones. Factual information performs about some facts and causes, which took, take or only will take part in real or fantastic world. This kind of information is contained in every, even non-literature text. For example; В«Я пам'ятаю, як ти несподівано увійшла в мою кімнату, і я подумав: це не жінка, а чудо!В» But every literary text contains not only superficial factual information, which is much more important than just clear facts and causes. It expresses, at last, world conception, that means, author s world understanding conclusion about what this world is like and what it should be like. This information is always implicit by it s nature and, we can say, it doesn t have any verbal bearers - it performs by non-verbal form, but by means of factual content.example: В«Я і понині пам'ятаю, як ти раптово з'явилася переді мною, - і подумалося мені, що це лише скороминущий міраж, що відобразив в образі своєму божественну красуВ». That is literary text - it has the same factual information as in former, but it is filled by special conceptual means - literal hero worship for female beauty. But in true - literal text are many other informational units , which are expressed except the means. This informational non-means complex can be named as esthetical information. In poetry, especially in lyrical one, esthetical information usually is more important then factual and conceptual ones.we can see that, former examples of literal prosaic texts, which have special conceptual information, are less informed then their poetic version, wrote by A. S. Pushkin
Я помню чудное мгновенье:
переді мною з'явилася ти,
як швидкоплинне бачення,
як геній чистої красоти.information also is very complicated informational complex, consisted of esthetical information (evaluation and experience of the recipient that the content format), catorical information (not harmony, but intense conflict between different levels of literal text structure), hedonistic (the pleasure, that the recipient gets from connecting to the mysterious poetic code, from virtuoso author skills, who perfectly wields lingual and poetry techniques), acseological information.if verse words means don t coincide with their true means, if in poetic texts white can be black
