solid, continuous line. If using the narrative action is embodied as something past, the chain of dialogues and monologues in drama creates an illusion now. Life here as it says on their own behalf: between what is represented, and the reader is no mediator-narrator. The action of the drama recreated with maximum immediacy. If it occurs before the reader «s eyes. «All forms of narrative, wrote Schiller - carry this in the past, all the past drama make this». Focuses on the requirements stage. The theater - the art public, mass. Performance directly affects many people seem to merge together in response to commit to them. Purpose of Drama, according to Pushkin - to act on set, take his curiosity «and for this capture» true passion «:» Drama was born in the area and was a popular amusement. The people, like children, need entertaining, action. Drama is it unusual, strange incidents. People demand thrills. Laughter, pity and terror are the three strings of our imagination, a stunning dramatic art «. Particularly close ties associated with a dramatic kind of literature comic sphere, for theater reinforces and developed in close connection with mass celebrations, in an atmosphere of fun and games. »Lyrics (dr.-gr. lyra-musical instrument, the sound of which is sung poetry), front unit of the human condition soznaniya: emotive reflections, (308) volitional impulses, impressions, feelings and aspirations of the non-rational . If the lyrical composition and denoted a series of events (which is not always), it is very sparingly, without any meticulous detail (remember Pushkin »s« I remember a wonderful moment ... »). «Lyrics, wrote F. Schlegel, always represents only itself a certain state, for example, the impulse of wonder, a flash of anger, pain, joy, and so on - a kind of whole, the property is not an integer. It should be a sense of unity. This view of the subject of the lyrical poetry of modernity naukoy.experience is presented as belonging to the speaker (the carrier of speech). It is not so much indicated by the words (in the case private), but with the maximum energy is expressed. The lyrics (and only there), the system of artistic means entirely subject to disclosure whole movement of the human soul.lyric experience significantly different from the immediate life of emotions, where there are, and often dominated by amorphous, unintelligible chaos.lyrics are not closed in the inner life of people, their psychology as such. It always attracts a mental state, which marked focus on the outer man (309) reality. Therefore, lyric poetry is the art, not only the development of states of consciousness (which, as persistently says G. Pospelov, it is a primary, principal, dominiruyuschim), but also of life.relationship between the lyrical hero and the author ( poet) recognized literary scholars in different ways. From the traditional concept of oneness, indissolubility, the identity of the carrier's lyrical voice and going back to Aristotle and, in our view, has serious reasons are quite different opinions of many scientists in the XX., Particularly MM Bakhtin, who saw in the lyrics of a complex system of relationships between author and character, »I« and the »other«, and spoke of the constant presence of her choral nachala1. This idea turned SN Broitman. He says that for lyrical poetry (especially close to us ages) is not characteristic »monosubektnost« and »intersubjectivity«, ie Capturing interacting soznaniy.s...
